Series: Alfred's Classic Editions Category: Piano Duo (2 Pianos, 4 Hands) Format: Book Instrument: Piano Level: Intermediate / Early Advanced Version: 2 copies required Pianist and composer Sylvia Rabinof has written beautiful accompaniments to 15 masterpieces from the world's most celebrated composers. Intermediate to Early Advanced; for two pianos, four hands. Titles: Musette from Notebook for Anna Magdalena (Bach) * Minuet in G Major from Notebook for Anna Magdalena (Bach) * Minuet in G Minor from Notebook for Anna Magdalena (Bach) * Für Elise (Beethoven) * Chaconne on Air Dido’s Lament from Dido and Aeneas (Purcell) * Ländler in D Major (Beethoven) * Ländler in A Minor (Schubert) * The Happy Farmer (Schumann) * Pour le Lute (Little Prelude No. 3 in C Minor) (Bach) * Invention No. 8 in F Major (Bach) * Solfeggietto (C. P. E. Bach) * Rondo Alla Turca from Sonata in A Major, K. 331 (Mozart) * Invention No. 13 in A Minor (Bach) Clair de Lune from Suite bergamasque (Debussy) * Sonata in C Major, K. 545 (First Movement) (Mozart). 88 pages.

In ‘Land of Legends’ German composer Andreas Ludwig (what’s in a name) Schulte takes you along to the fictional world of legends myths and fairy tales. The introduction to the first part (The Castle) describes the majestic contours of the scene of action. Its instrumentation (horns) immediately makes you imagine being in Medieval spheres. The addition of trenchant copper instruments even gives the part a heroic tinge. After entering through the gate a lot of hustle and bustle appears to be going on in the courtyard. Pages squires and soldiers are busy attending to their arms. Beer is being brewed flax is being spun cattle are being tended and some craftsmen fromneighbouring villages are busily at work. In the upper chamber of the round tower lives an old man (The Old Wizard). He hardly ever comes out and nobody knows exactly what he is doing. It is said that he is engaged in wizardry and magic. It is all very mysterious. There are also festivities some of them sober others exuberant. The wedding in the third part is celebrated in a grand manner. With a flourish of trumpets the bride makes her entrance at the hand of her father. Afterwards at the party there is dancing to the music played by minstrels and of course a plentiful banquet follows.

This Rock Keyboard method explains comping and soloing techniques in various music styles: - Classic rock - Pop Rock - Blues Rock - Southern Rock - Hard rock - Progressive Rock - Alternative Rock - Heavy Metal The CD included features a full band-keyboard, guitar, bass, and drums-so you can hear how your parts fit in with the total groove.

Instrumentation : 2Vln.Vla.Vc Introducting his new player-friendly edition of the Haydn Quartets, Simon Rowland-Jones writes: 'There can be no such thing as a final, perfect version; Haydn left too many questions open.' The new Peters Edition is founded upon this honest assessment. By heightening our awareness of the questions that remain 'open', this edition liberates the interpretative inspiration of performers as never before. As a result, the new edition is likely to become indispensable for all who perform or study these masterpie ces. Each volume includes: - Full Score - included with the parts for the first time - invaluable for performance preparation - Fold-out Pages - as required in the separate parts, eliminating all page-turns within movements - Guidance for Performers - as well as giving historical background to the quartets, the prefaces to each volume contain a treasure trove of information about all aspects of performance practice - Critical Commentary - in the extensive Critical Commentary to each volume the most author itative early sources for Haydn's quartets are carefully evaluated and full details of their variant readings given for comparison. Naturally, the composer's autograph, where extant, assumes pre-eminence, but alternative primary sources are also considered, and secondary sources drawn upon where appropriate. The Publishers and Editors gratefully acknowledge the generous support for editorial research given by the Radcliffe Trust, the Arts and Humanities Research Board, the Royal College of Music and the Royal Northern College of Music. Content : Op.33, Hob III: 37 - 42 Editor :Rowland-Jones,S.

Six concertos in six parts for violins and flutes viz. A fifth, sixth and consort flute.Edition : - London, Walsh, s.d. (=1729).Présentation par Susi Möhlmeier et Frédérique Thouvenot : Choix d'oeuvres écrites explicitement pour la flûte à bec - la facture de la flûte à bec en Europe de 1650 à 1750 - lecture de la partition (articulation, dynamique, ornementation, rythme, notation générale, suggestions).Publication en parties séparées : fluto (a consort flute : concertos I, III - a fifth flute : VI - a sixth flute : II, IV, V) - violino primo - violino secondo - violino primo repiano (ripieno) - tenore (alto) - basso continuo.Consort flute : flûte à bec alto en fa.Fifth flute : flûte à bec soprano en ut.Sixth flute : flûte à bec soprano en ré. / Flûte A Bec Et Instruments Divers, Flûte A Bec (Soprano En Do, Soprano En Ré Ou Alto), 2 Violons Soli, 1 Violon Ripieno, Alto, Basse Continue / 79 pages / niveau : 1 / Fac-Similés - Format: 24 X 33

Introducing his new player-friendly edition of the Haydn Quartets Simon Rowland-Jones writes: 'There can be no such thing as a final perfect version; Haydn left too many questions open.' The new Peters Edition is founded upon this honest assessment. By heightening our awareness of the questions that remain 'open' this edition liberates the interpretative inspiration of performers as never before. As a result the new edition is likely to become indispensable for all who perform or study these masterpieces. Each volume includes: Full Score – included with the parts for the first time – invaluable for performance preparationFold-out Pages – as required in the separate parts eliminating all page-turns within movements Guidance for Performers – as well as giving historical background to the quartets the prefaces to each volume contain a treasure trove of information about all aspects of performance practice Critical Commentary – in the extensive Critical Commentary to each volume the most authoritative early sources for Haydn's quartets are carefully evaluated and full details of their variant readings given for comparison. Naturally the composer's autograph where extant assumes pre-eminence but alternative primary sources are also considered and secondary sources drawn upon where appropriate.